George Legrady




CLIENT: Art and Exhibitions Hall of the Federal Republic of Germany

TRACING is an installation examining the relation between the countryside and what seems to be the cultural centre. The exhibition room is separated in the middle by a 4m wide wall, on which you can see a video projection on each side.

George Legrady describes the two parts of the room as „two sides of a coin“, as heads or tails, as pitch-penny, as a decision to be taken. The element connection this metaphor is a letter in which a man from Eastern Europe complains that his Western friend doesn’t answer and obviously has no interest in the friendship anymore. The letter seems to glide to and fro through the wall, presenting itself in connected passages on one side while being visible on the other only whenever certain passages are actively clicked on with the mouse.

In the front part of the room, the movements of the visitors are registered via sensors, which triggers the picking of selected fragments from the linear text via computer control. Those text passages are connected to specific video sequences that are projected onto the rear of the wall. There, Legrady confronts us with atmospheric pictures from Eastern Europe; with views of squares, front doors and interiors as well as with private impressions.

Additionally, in the rear part of the room you can read selected passages of the letter with the help of a computer mouse, which in turn activates the video sequences. Thus, te selection of the video images and text parts is a complex interaction between the movements in the front part of the room and the active selection of text passages by the computer mouse.

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