Photo: Rheinisches Bildarchiv Köln/Marleen Scholten © Boaz Kaizman
235 Media designed, provided and installed all the technology for the elaborate video/audio installation – 16 videos on 7 projectors, surround sound and individual audio experience via headphones.
Learn more on the project page >>
For the celebratory year “2021. 1700 Years of Jewish Life in Germany”, the Museum Ludwig has invited the artist Boaz Kaizman (born 1962 in Tel Aviv, lives and works in Cologne) to develop a new work that will enter the museum’s collection following the exhibition. The large-format video installation created by Boaz Kaizman consists of a total of 16 films projected in a complex choreography by seven video projectors onto two walls of the large exhibition hall. The spatial sound also follows compositional principles, but the sound tracks of all the films can also be listened to individually in their entirety via headphones.
235 Media designed, provided and installed all the technology for the elaborate video/audio installation.
235 Media installed several room-sized monitor and projection works.
Find out more on the Projectsite >>
Andy Warhol is without a doubt the number one Pop artist. The Museum Ludwig in Cologne is dedicating a major retrospective to him with over one hundred works. Alongside art-historical icons such as the Elvis Presley, Electric Chair and Marilyn Monroe Series or Campbell’s Soup Cans and Brillo Boxes, the exhibition also presents films and other media works that perhaps most clearly reveal Warhol’s interest in a diverse, queer counterculture that was based in his New York studio, the Factory. The exhibition is evidence that Andy Warhol’s work remains highly relevant in our time, when an ever-increasing number of people are calling for the recognition and promotion of cultural and gender diversity.
235 Media installed several room-sized monitor and projection works. These included “Screen Tests,” with a projection area of nearly 80 square meters, and “Exploding Plastic Inevitable,” a spatial installation with 14 monitors.
“Screen Tests” (1964–66) are a series of black-and-white film portraits. They show a variety of people – usually from the neck up against plain backgrounds – many of whom were part of the mid-1960s New York cultural scene. Under Warhol’s direction, the sitters attempted to sit motionless for about three minutes while being filmed in slow motion. The films represented a new kind of portraiture – a slow-moving, almost still image of a person. The “Exploding Plastic Inevitable” was a series of multimedia events organized by Andy Warhol in 1966/67. They included performances by The Velvet Underground & Nico, screenings of Warhol’s films, and performances by Factory regulars.
Andy Warhol Now is a cooperation of Cologne’s Museum Ludwig and London’s Tate Modern. Other venues include the Art Gallery of Ontario in Toronto and the Aspen Art Museum in Colorado.
For copyright reasons, we only show images taken during the installation process and to document our own work.
Federal President Frank-Walter Steinmeier opened the major European art exhibition Diversity United at Tempelhof Airport in Berlin on 8 June 2021. Diversity United presents an artistic tour d’horizon of Europe currently. The transnational exhibition shows paintings, sculptures, video art, new media, photographies, installations, drawings and object art by about 90 artists from 34 countries. They represent different generations, genders and regions and their work reflects the phenomenal diversity and vitality of Europe’s contemporary art scene – from Portugal to Russia, from Norway to Turkey. The works on display shed light on themes such as freedom and democracy, migration and territory, political and personal identity, utopias and fears, which also revolve around the current pandemic. Diversity United reflects the complexity of the European idea and its social realities in a globalized world.
The exhibition is in cooperation with Petersburg Dialogue (Petersburger Dialog e.V.), Tempelhof Projects (Tempelhof Projekt GmbH) and the Tretyakov Gallery. Diversity United is supported by the German Federal Foreign Office.
235 Media was responsible for planning and installing all media installations by, among others, Christian Boltanski, Ulla von Brandenburg, Ilya and Emilia Kabakov, Richard Mosse, Anri Sala, Tristan Schulze, Luc Tuymans and Nil Yalter.
Other stops include the New Tretyakov Gallery, Moscow, and the Palais de Tokyo, Paris.
A bilingual media guide app (EN|DE) is available for free download from the Apple Store and Google Play under the title “Diversity United”.
More information is available online at www.diversity-united.com and www.stiftungkunst.de.
In the course of lignite mining in the Lusatian mining district, extensive archaeological excavations were undertaken, which contributed significantly to the understanding of the cultural and historical development of the region. Among other things, an early medieval Slavic fortification was discovered, which was reconstructed at its original location. It houses one of the most modern archaeological exhibitions in Germany.
Original finds are impressively presented in showcases. Overall historical contexts, but also interesting details, are conveyed in the form of text, film and animation on the latest digital media.
235 Media installed four projections, eight interactive touch monitors and nine additional showcase monitors. In addition, a media guide was created to complement the knowledge transfer.
The Draiflessen Collection has an extensive collection of books and prints, which is one of the most important Dutch special libraries for the 17th and 18th centuries. The collection of approximately 4000 objects includes many delicate specimens of high antiquarian value, so it is not accessible to every visitor. In order to present some selected pieces to a wide audience, 235 Media developed interactive books.
At first glance, this medium looks like an ordinary book made of bound paper with blank pages. But only a few moments after opening, the pages are filled with life through a combination of camera recognition and front projection. In combination with hand-painted pages, this results in a fascinating interplay of digital and analog media with high haptic quality.
235 Media created several interactive books that are permanently displayed in the archive rooms. In addition, further books were produced for the exhibitions “Seestücke” (November 5, 2020 – May 9, 2021) and “Vom Wesen der Landschaft” (September 6, 2019 – February 16, 2020).
In the Draiflessen Collection in Mettingen, the conceptual artist Mischa Kuball (*1959) devotes himself to the work and perception of the expressionist painter Emil Nolde (1867-1956). In the context of the exhibition Emil Nolde – a critical approach by Mischa Kuball”, Kuball examines discourses on the historical person and deals, among other things, with mechanisms of artistic self-staging.
235 Media installed six space-filling projections with a size of up to 49 square meters.
The City of Cologne’s NS Documentation Center is the largest local memorial site in the Federal Republic of Germany dedicated to commemorating, communicating and researching the Nazi era. The 3rd floor of the building will be converted in the course of a spatial expansion into a fictitious place of experience, in which the participants can deal with various social issues. The “House of Remembrance and Democracy” is thus expanding its educational offerings with an interactive game for the promotion of democracy: “Tristan da Cunha – Adventure Democracy on an Island”
In the course of the game, visitors pass through 12 rooms. In the style of the game idea known as “Escape Room”, groups of 5 visitors each playfully solve social problems and questions. The visitor guidance is realized by a targeted combination of audiovisual means, with recurring sound, light and video elements guiding the participants through the rooms.
235 Media planned the complex media technology and a complete networking of the rooms including a central control room. In addition, 235 Media designed the programming structure as well as the light and sound design.
For the new exhibition area “Regenwald im Netzwerk” of the Museum Alexander Koenig we realized an interactive installation about the rain forest.
The Zoological Research Museum Alexander Koenig (ZFMK) is one of the largest natural history research museums in Germany. In its new section it is dedicated to the importance of the rainforest ecosystem. The so-called “rainforest consumer table” illustrates how the individual consumer behavior of the visitors affects the sensitive habitat.
There are two interactive workstations, each equipped with five everyday objects. When the objects are touched, projections onto the table surface are triggered.
The pedestal in the middle of the table is a plexiglass cube, into which a detailed miniature model of a piece of rainforest is embedded. The leaf canopy of the trees towers above the table surface and serves as a projection surface on which various “health states” of the rainforest are depicted. Through pixel-exact projection-mapping, detailed representations and unusual perspectives are created.
LEDs integrated in the table pedestal also adapt to the rainforest conditions and thus vary the lighting of the miniature model.
Atmospheric sounds support the respective visualizations. These reach the player through directional loudspeakers and do not scatter into other exhibition areas.
For the opening of the exhibition „Kein Lärm Meer“ at the OZEANEUM Stralsund, we have realized a new interactive multi-touch table.
Plastic waste in the ocean, excessive traffic on sea routes and the destruction of shores caused by growing tourism are only three factors that threaten the Baltic Sea ecosystem. To alert the museum visitors to these dangers, we developed an 84 “(213 cm) 4K multi-touch table. It has four interaction points, each one giving the opportunity to explore three problems and possible solutions. The selected topics are located on a picture-filling Baltic map.
The OZEANEUM opened in the summer of 2008 and is part of the German Maritime Museum Foundation. In five fascinating permanent exhibitions, you can not only get extensive information about the exploration and exploitation of the oceans, but also marvel at true-to-scale whale models and watch real penguins training.
The Langen Foundation on Museum Island Hombroich is displaying selected works from the Burger Collection, Hong Kong in the exhibition How to See [What Isn’t There]. 46 works will be on display, including sculptures, installations, paintings, photography, videos, VR and performances.
Burger Collection Hong Kong is a private collection of contemporary art which represents a broad spectrum of works from Euro-American, Indian and Asian art, reflecting a global approach to the collection.
The work of Canadian artist Jon Rafman is a world premiere and was created specifically for the exhibition: Deluge (Hombroich missile base) is a dark vision exploring the unseen dangers of war. Using 3D glasses, Rafman depicts the military past of Hombroich missile base with frantic virtual reality images that move between delirium and reality. Rafman’s images are computer-generated and convey a combination of the material and digital world, reality and technological effects.
235 MEDIA installed the work by Jon Rafman and supplied the hardware.
Exhibition «How To See [What Isn’t There], a Group Show with Works from the Burger Collection, Hong Kong, curated by Gianni Jetzer
9.9.2018 – 17.3.2019 (oder 2018/2019), Langen Foundation, Neuss
Courtesy Burger Collection, Hong Kong and the artist
Copyright the artist
Photo: Bettina Diel
The Kaiser Wilhelm Monument in Porta Westfalica has been the region’s most significant landmark for the last 120 years. It was built from 1892 to 1896 in honour of Kaiser Wilhelm I. After a two-year renovation period, the monument reopened with a new visitor centre on 8th July 2018.
The new visitor centre is located inside the ring-shaped terrace, which has been rebuilt according to historical records. In the 270 m² exhibition area, visitors can find out more about the 88-metre-high monument at six interactive media stations. For example, there is a large interactive table dedicated to the development of the natural and cultural landscape around Porta Westfalica. Another of the installations consists of a 17-metre-wide panoramic wall and three interactive terminals which explain the history of Porta from its geological formation to the present day. The installation includes 33 historic hotspots, all of which can be explored in detail.
To provide a wider context beyond Porta and the monument, three interactive screens offer a multiple-choice questionnaire on the topic of cultural heritage, enabling visitors to reflect on their own opinions.
235 MEDIA was responsible for installing six media stations for the visitor centre, as well as producing and implementing the media content and realising the media technology.
In the Brockenhaus, on North Germany’s highest mountain, the new permanent exhibition “Restricted Area – Experience History” was opened on June 30, 2018.
In the roof and cupola floors of the Brockenmuseum the visitors are introduced to, from today’s point of view, the almost unimaginable division of Germany in an atmospheric and playful way. A wall divides the first exhibition room in East and West. Digital and analogue observation slits and listening posts make it possible to take the respective position. In a chronological approach the relevant subjects around the surveillance cupola “Urian” are enacted, here the valuable exhibits of the previous exhibition radio/television technology are integrated.
In the historic cupola itself visitors can, among other things, immerse themselves in the original aerials for the surveillance technology using modern media. Contemporary witnesses give the location’s history a personal and human dimension and build a bridge from the past to the present. Further interactive exhibits also make the history of the cupola an exciting experience for children.
“During the cold war the Russians spied on the Brocken on their enemies in the West. In the Brockenhaus one can now be taken back to this era.” Quote: mdr Sachsen-Anhalt.
235 MEDIA has designed and realized the exhibition as well as the media technology and media production.
The Hoesch Museum arose from the collaboration of former “Hoeschianers”, the Museum for Art and Cultural History and the Foundation for the West-Phalia Economic Archive. The museum is housed in the historic gatekeeper’s lodge and gives an overview of more than 160 years of city history of the steel industry in Dortmund.
The re-worked media installation “Phoenix from the Ashes” was created as far back as 2005 and has been brought right up to data technically, graphically and in terms of content, with an 84” multi-touch monitor with 4K resolution. Based on an aerial photo of the city, visitors can find out about the plans and perspectives of 11 former industrial areas in Dortmund. With functions such as comparisons of aerial shots from 1969 and 2017, the museum can display the structural change in Dortmund over the years. With numerous contributions on leisure, living and working, visitors can find out about the latest developments.
235 MEDIA designed and implemented the media production and also installed the media technology.
The Museum Karl-Marx-Haus in Trier is the birthplace of Karl Marx, and it opened a new permanent exhibition on May 5, 2018, focusing on the history of the impact of Marx’s ideas up to the present day.
235 MEDIA realized six media installations, produced and implemented media content for the new permanent exhibition at the Karl-Marx-Haus and produced and implemented the media content. In addition to three monitor installations and an interactive audio chair, an LED mesh and an interactive reading book are components of the scenography.
The media installations set a deliberate counterpoint to the concreteness of the contents in the exhibition and see themselves as contemplative resting points in the midst of a challenging abundance of content. For example, the wall-filling LED mesh uses its coarse resolution and the small viewing distance of the visitors to span an associative panorama of the critique of capitalism in a flood of images with iconic representations from contemporary politics.
The interactive reading book uses the opposite effect as a medium that is capable of reproducing content in a bundled and pointed manner. In its formal form of presentation, it also underscores the paramount importance that the medium of the book had for Karl Marx personally and for the worldwide dissemination of his ideas.
Revolutionary, scholar, journalist or Marxist? Karl Marx is one of the most famous, but also the most controversial and misunderstood personalities of the 19th century. The 5th May of 2018 marks the bicentennial of the birth of Karl Marx, the philosopher and social theorist born in Trier. To celebrate this occasion there will be a large cultural and historical exhibition about the eminent 19th -century thinker, which will provide insights into his life, his most important works and the diverse influences of the time.
The grand state exhibition KARL MARX 1818 – 1883. LIFE. WORK. TIME. will be on display in two museums in Trier, the Rheinisches Landesmuseum and the Stadtmuseum Simeonstift, from 5 May to 21 October 2018. Additionally, two other partner exhibitions will be on display simultaneously at the Karl-Marx-Haus Museum and the Museum am Dom.
Over a surface area of 1,000 m², the Rheinisches Landesmuseum Trier illuminates Karl Marx’s intellectual and political career, focusing on his works and the era in which they were created. Under the title “Stage of a Life”, the Stadtmuseum Simeonstift Trier traces the eventful life of Karl Marx. Over an exhibition area of around 600 m², the tour leads visitors through Marx’s childhood and youth in Trier, his years of study, and his professional career up until his exile in London. The Museum Karl-Marx-Haus is the birthplace of Karl Marx. On 5th May 2018 it inaugurated a new permanent exhibition focusing on the impact of Marx’s ideas right through to the present day.
235 MEDIA set up six media installations for the new permanent exhibition at the Museum Karl-Marx-Haus in Trier. The installations produce and implement media content. In addition to three monitor installations and an interactive audio chair, the media tech includes an LED mesh and an interactive book. Furthermore, 235 MEDIA was also responsible for the concept on behalf of the Stadtmuseum Simeonstift, as well as the graphic design, programming and the sound design for seven media stations.
Marina Abramovic is one of the most renowned and controversial contemporary artists – especially with her ground-breaking performances, in which she repeatedly explores her own physical and psychological limits. “The Cleaner” is the first major retrospective of the performance artist, which can be seen exclusively in Germany from 20 April onward at the Bundeskunsthalle in Bonn.
The exhibition extensively reflects the facets of her work, whereby personal experience and responsibility are a main focus for her. Films, photography, paintings, drawings, sculptures, installations as well as selected archive material show the subject and media range of the artist. Some re-performances and participative work enrich the intensive exhibition experience.
235 MEDIA installed 35 projections, 25 monitor installations and the audio technology of the exhibition.
The Association for Modern Art at the Ludwig Museum awarded Haegue Yang the Wolfgang-Hahn-Prize in the year 2018. The Ludwig Museum is presenting a first major overview of the artist and the diversity of her work with 120 exhibits.
The abbreviation ETA stands for “Estimated Time of Arrival” and refers to the artist’s career in transit and constantly changing locations, who now has studios in Seoul and Berlin and has been exhibiting internationally since 1994.
With her very varied work Haegue Yang has evaded being assigned to a particular category. Her works are, on the one hand, critical of institutions, conceptual with historical references, and, at the same time sensually complex and emotionally charged. The overview covers more the 1500 m² of space in which the spatial scenography picks up the conceptional dynamic of the works.
235 MEDIA has realised the media installations and the rather unconventional lighting concept and supplied the hardware.
The team at the Historical Museum of Frankfurt has researched the city for ten years and developed new exhibition concepts and presentation ideas. Since its reopening in October 2017, around 4100 square metres of exhibition space in the new building and 1800 square metres in the Saalhof are now open to visitors. The major exhibitions “Frankfurt then?” and Frankfurt Now!” plus two special exhibitions on the “making of” the new museum as well as the history and the future of the city laboratory invite intensive engagement with the city’s past and present.
235 MEDIA supplied all the media technology for the exhibitions in the two buildings, implemented a range of special designs and the technology for all the interactive installations.
In the new special exhibition “energie.wenden” of the Deutsches Museum in Munich, the world´s largest science and technology museum, everything revolves around the provision, distribution and storage of energy. By means of exhibits, demonstrations and media installations, visitors can experience how environmental compatibility, profitability and social justice can be reconciled.
235 MEDIA implemented the media technology for 18 audio-visual media installations. The sensor technology and evaluation electronics of the predominantly interactive exhibits were developed by 235 MEDIA itself.
The LWL Industriemuseum (Westphalian State Museum of Industrial Heritage and Culture) is Germany’s oldest and largest industrial museum. Covering the Ruhr area and Münster region to Gernheim an der Weser, visitors can discover the timeline of the German industrial era in eight central locations.
Since October 2016, TextilWerk Bocholt, one of the eight locations, presents the history of textile manufacturers in Westphalia across two floors of the permanent textile history exhibition.
235 MEDIA has developed an interactive multi-touch table with tangibles for the exhibition. With the help of the multi-touch table’s object recognition, interactions can be brought to life in a fun way. This allows links to be made between real objects, called “tangibles”, and digital information. For TextilWerk Bocholt, rolls of different coloured yarn were transformed into tangibles, whereby each colour represents a specific topic. Once a tangible is placed on the multi-touch table, the relevant content is automatically activated. By rotating the tangible, additional sub-menus are activated.
235 MEDIA tangible tables are now available with customisable tangibles, multi-touch monitors and software.
The Museum Ludwig celebrated its 40th anniversary in 2016. The high point of the celebrations was a group exhibition entitled “We call it Ludwig”. The topic of this broadly based show, which has been designed by the director of the museum and all the curators, was the institution itself. Find out more on the Projectsite >>
The Museum Ludwig celebrated its 40th anniversary in 2016. The high point of the celebrations was a group exhibition entitled “We call it Ludwig”. The topic of this broadly based show, which has been designed by the director of the museum and all the curators, was the institution itself. 25 artists and collectives have been invited to engage in a detailed way and to think about what the Museum Ludwig means to them.
235 MEDIA is delighted to have realised the media installations for the artists Ai Weiwei, Minerva Cuevas, Andrea Fraser, Guerilla Girls, Marcel Odenbach and Rosemarie Trockel.
The State Museum of Natural History in Karlsruhe is one of the most important natural history museums in Germany. With its combination of museum exhibits and live animals in large aquariums and terrariums, this museum offers a particularly unique experience. Exotic animals such as crocodiles and sharks can be found here, as well as Germany’s largest living coral reef.
The new permanent exhibition “Form and Function – Inspired by Nature”, which opened on 27th July 2016 in the refurbished West Wing, concentrates on evolution and bionics. Across an exhibition area of 800 m², visitors can discover the techniques developed by animals and plants in order to adapt to the wide range of environmental influences throughout the course of evolution. With a large number of media stations, visitors are taught about what people can learn from nature to upgrade or develop technical devices.
235 MEDIA realised the media productions and IT technology for 21 installations.
To reduce energy consumption and save CO2 – that is the simple idea behind our Green Media initiative. We are working to develop energy-saving potential for our customers and to exploit it to the full. Through the intelligent combination of the latest IT technology and our in-house development of products under the label 235 MEDIA ®evolution, we are constantly optimising the performance and energy efficiency of our IT and media applications.
Our IT Development and Consulting departments aim to identify redundant functions in the design phase of proposed applications and thus rule them out in the realisation. Just by focusing on the functions actually needed, we achieve a reduction in complexity, which has a positive effect on material and energy inputs: miniaturisation of form, stabilisation and longevity of function, reduction of energy consumption and CO2 emissions.
For several years, we have systematically worked with increasingly powerful yet more economical embedded systems. Through our in-house developments such as KLICK-KLACK, the automatic on-off control, or the LOOPO media player based on single board computers, we have consistently developed modular extensions. Aside from the portfolios of major manufacturers, this allows the design of diverse applications to be stabler, more cost-effective, and more energy efficient.
To reduce energy consumption and save CO2 – that is the simple idea behind our Green Media initiative. We are working to develop energy-saving potential for our customers and to exploit it to the full. Through the intelligent combination of the latest IT technology and our in-house development of products under the label 235 MEDIA ®evolution, we are constantly optimising the performance and energy efficiency of our IT and media applications.
Our IT Development and Consulting departments aim to identify redundant functions in the design phase of proposed applications and thus rule them out in the realisation. Just by focusing on the functions actually needed, we achieve a reduction in complexity, which has a positive effect on material and energy inputs: miniaturisation of form, stabilisation and longevity of function, reduction of energy consumption and CO2 emissions.
For several years, we have systematically worked with increasingly powerful yet more economical embedded systems. Through our in-house developments such as KLICK-KLACK, the automatic on-off control, or the LOOPO media player based on single board computers, we have consistently developed modular extensions. Aside from the portfolios of major manufacturers, this allows the design of diverse applications to be stabler, more cost-effective, and more energy efficient.
Multi-media and computer-based systems have become standard technologies in the exhibition and events fields. Checking and maintaining the complex technical components is absolutely essential for guaranteeing a successful presentation strategy.
The increasing sophistication of media technology and its need to be continuously in operation present a challenge to those responsible for support and maintenance. For this reason, we have developed a comprehensive service catalogue detailing all the necessary steps for the successful upkeep of multi-media and computer-based systems.
LOOPO is ready to use within a few minutes – simply connect it to a monitor or projector, plug in a USB stick with film(s) and off you go!
The content of the stick is automatically played back in a complete loop without complicated player programming or other handles. Its small design and noiseless operation ensures that you can install the LOOPO absolutely everywhere – and even with minimal power consumption.
The LOOPO is optimised for the playback of your H264 videos.
The history of the city of Ratingen is shown on a large-scale interactive map table.
The aim is to communicate the historic development of the city of Ratingen to the visitor, from earliest times to the present day. This is based on the wide range of maps of the city of Ratingen, which show the size and development of the city over the ages. Hotspots on the maps locate the relevant subjects and buildings for a period. Activating a hotspot allows the user to find information using texts, images and videos. One highlight is the animated 3D tour through the city to show the current appearance of the city.
In the middle of the pedestrian zone in Altena there is an architectural highlight which was awarded the German Design Award for exhibition design and architecture this year. Visitors can now reach the entrance to Altena Castle – which lies 80 metres above the city – via a lift which is at the end of a 90-metre adventure tunnel. Thanks to state-of-the-art media technology installations, visitors can now experience a journey through the legends of South Westphalia, learning first-hand about its history and the importance of the Altena Castle for the region.
235 MEDIA designed and installed the entire media technology.
At the threshold of science and art, the exhibition around the theme of outer space showed a range of exhibits from the areas of research, technology, history, art and literature. The curators deployed a poetic panorama of artefacts from space and astronomy, documentary material, movies, comics, space design, artistic works and multimedia installations which covered the enormous spectrum of the topic which has fascinated humanity for thousands of years and which has lost none of its appeal.
Reminiscent of the legendary cockpit of the spaceship Orion, one of the 60`s German TV series “Raumpatrouille“, whose controls had been created in part from re-purposed household appliances, 235 MEDIA realised the installation “Countdown minus 10” for the exhibition in the form of a “media cockpit”, an interactive table with a wall projection where visitors could take a flight through the history of space travel. Spread over five main themes, 235 MEDIA produced a total of 19 comprehensive animations which included surprising facts, images and films.
The installation “Countdown minus 10” was designed, created, editorially overseen, programmed and technically realised by 235 MEDIA.
“Outer Space has become a unique show because this is where facts and fiction, art and science really meet on a par.”
(Welt am Sonntag, Stefan Keim, 5 October 2014)
Once the Roman province of Germania Inferior was connected to Rome and the remaining parts of the Roman Empire by a network of roads of more than 100,000 kilometres. If you are interested in exploring these old Roman roads in the Rhineland by foot or with the bicycle, you will enjoy the “Erlebnisraum Römerstraßen” [Adventure Sphere Roman Roads] project.
A total of 18 municipalities are cooperating with one another to make this historic road come alive again.
235 MEDIA is implementing a total of 15 predominantly interactive media stations. Among other things, one of the main installations was the media slider in the Roman-Germanic Museum in Cologne. Over a distance of four metres, a touch-monitor is mechanically moved over a graphic by the visitors. At different positions an interaction is possible, which offers the visitor in-depth information.
Copyright for the first Photo: Römisch-Germanisches Museum/Rheinisches Bildarchiv Köln (Anja Wegner)
PARTNERS:
In collaboration with Dr. Ulrich Hermanns Ausstellung Medien Transfer
In the converted buildings of the former “Grube Anna” coal mine the ENERGETICON adventure museum opened its doors in August 2014 in Alsdorf with four large-scale permanent exhibition areas: “The History of Sun and Earth”, “The History of the Fossil Industrial Age”, “Energy Transition” and “The History of the Regenerative Industrial Age”. In a vivid manner ENERGETICON explains to its visitors the necessary energy transition from the nuclear/fossil age to the age of renewable energy in a global context. The 700-meter arena with about 30 stages focusses on strong visual and haptic forms in the presentation of the complex subject of energy.
235 MEDIA has realized a total of 17 partly multi-part and interactive media installations. The range of services covered by 235 MEDIA included production management, concept and storyboard creation, editing and adaptation of scientific content, wireframing, development of the look and feel, usability engineering, creation of animations and movies, audio production including directing of the voice recordings and multi-channel sound design, as well as the entire post production process.
For a special thrill, 235 MEDIA realized a 3D animation for ceiling monitors and a Body-Shake-System in an elevator which creates the illusion of a mine ride at a depth of hundreds of meters even though the real journey in fact is just a few meters. The coal mine being accessible in this way was equipped with audio and video productions by 235 MEDIA and gives a vivid impression of the everyday work of a miner.
PARTNERS:
In cooperation with Atelier Brückner
The city of Aachen recently commemorated the 1200th anniversary of the death of Charlemagne by hosting a three-part exhibition dedicated to the ruler of the Frankish Empire. The trio of exhibitions held under the title of “Karl der Große. Macht Kunst Schätze” (‘Charlemagne. Power, Art and Treasures’) was also accompanied by the presentation of the city’s new museum, the “Centre Charlemagne”, to visitors.
The new museum uses four epochs to demonstrate to visitors how the history of the city of Aachen is inseparably linked to the history of Europe as a whole.
Its exhibition is divided up into four parts, each focusing on a different epoch and combining historic and artistic exhibits with multimedia presentations.
235 MEDIA was involved in the concept development and exhibition planning for the museum and was responsible for the implementation of the media planning, the detailed planning of all media installations and the screen design.
PARTNERS:
In collaboration with Dr. Ulrich Hermanns Medien Ausstellung Transfer and cultural institution of the city of Aachen.
The largest special exhibition focusing on Charlemagne in Aachen was held in the Coronation Hall in Aachen City Hall. It invited visitors to explore courtly life in Carolingian times, showed Charlemagne as a king and military leader travelling between imperial palaces, used archaeological and art-historical evidence to outline the material foundations of his rule and provided an insight into the external role models that motivated him to create a ‘place of power’ in Aachen.
The media presentations not only provided visitors with in-depth factual information, but also enabled them to experience elements of popular science by offering different depths of information ranging from striking demonstrations through to a variety of educationally oriented informative displays depending on the topic in question.
In order to make the exhibition as attractive as possible, these were additionally joined by four complex media installations. Upon entering the hall, visitors were first greeted by an elaborate 3D visualisation of the shrine of Charlemagne in Aachen Cathedral in order to acclimatise them to the atmosphere of the exhibition. In the middle of the exhibition, a video panorama with a diameter of 5.50m presented life in the Palace of Aachen.
At the end of their tour of the exhibition, visitors were able to view two interactive large-format installations that focused on the nature of the phenomenon of power in the present day and gave visitors the opportunity to actively participate in this discussion.
235 MEDIA was involved in the concept development and detailed planning of the exhibition and was responsible for the technical planning, media planning, and screen design of every interactive media installation.
PARTNERS:
In collaboration with Dr. Ulrich Hermanns Ausstellung Medien Transfer and cultural institution of the city of Aachen, Prof. Dr. Pohle.
The exhibition was open to visitors in the Coronation Hall of Aachen’s historic City Hall from 20th June to 21st September 2014.
The Mendelssohn House in the German city of Leipzig reopened on 3rd February 2014. The exhibition informs visitors about the life and works of the musician and composer Felix Mendelssohn Bartholdy, who lived and worked in Leipzig for many years.
The museum offers a variety of interactive exhibits that enable visitors to explore the works of Mendelssohn Bartholdy. One of its outstanding highlights is the interactive room installation “Effectorium”.
In the “Effectorium,” visitors can use a baton, the Leap Motion technology and a touchscreen to ‘conduct’ a digital orchestra. The Leap Motion Controller records their movement and uses their actions to control the music. The ‘conductors’ can also influence different factors such as volume for both the entire orchestra and individual orchestra or choir groups. They can also control the lighting of the room, with the LED lighting changing its colour and intensity according to their movements.
235 MEDIA supplied and installed all of the media technology used in the “Effectorium”.
In cooperation with WHITEvoid GmbH
Mendelssohn House Museum
Goldschmidtstraße 12
04103 Leipzig
Opening hours: every day 10 a.m. to 6 p.m.
Concerts: every Sunday at 11 a.m.
The exhibition “Made in Oceania: Tapa – Art and Social Landscapes” presents unique works of art from the museum’s collection together with many loan pieces that have never been displayed in Europe before.
235 MEDIA designed and realised all of the media installations, including an interactive photo installation with a historic camera, allowing visitors to photograph themselves in original Melanesian clothing.
In addition to this, numerous videos and five interactive info stations were also created. A video-mapping installation on the exhibition’s key visual rounds off the media concept.
With 630,000 visitors in 2011, the LVR – Archaeological Park Xanten (LVR-APX) is one of the most-visited museums in Germany and, at the same time, one of the most important archaeological monuments in Europe. The new “Bread and Games” visitor experience, installed in the north ambulatory of the partially reconstructed amphitheatre and the three adjoining rooms (“Carcer IV–VI”), provides visitors with information on the topic of “Gladiators” in an authentic setting.
235 MEDIA installed doors with video players and audio systems with an auto-loop function in the outdoor area of the arena ambulatory. An interactive animation of a bear is installed in “Carcer V”. If visitors approach the bear’s cage, the bear rushes to the bars, stands up and growls at the visitors. If the visitors stay longer, the bear hits the bars with its paw and roars again. The interaction is based on sensor technology and Arduino programming, and the image is rear-projected.
All of the equipment is built into air-conditioned housings with self-regulating heating and ventilation in order to protect the technology from the effects of weather.
235 MEDIA planned and realised all of the installations.
The video lounge in the Kunstmuseum Bonn, which makes the video archive accessible for individual use by visitors, has been modernised and expanded. 235 MEDIA developed a new user interface that makes a database search possible as well as the playing of films. For the video search via a touchscreen monitor the visitor can use either a list view of the works according to artist, title and year of origin or a full text search.
All video works were digitalised and converted by 235 MEDIA, and the associated metadata from the print catalogue was digitally recorded. The video data and content information were integrated into a specially conceived content management system that is now permanently available to the Kunstmuseum for the independent recording of new video art works.
As well as conception, design development and programming, 235 MEDIA also undertook the conception of media technology to ensure the smooth integration of the archive in the walk-through installation of Stefan Eberstad which contains the video lounge.